Tuesday
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About
This short film unfolds through a series of absurd situations and surreal episodes, evoking the style of early cinema. Márk Novák’s philosophical burlesque stands out as a distinctive work in Hungarian film. Its central character drinks, reflects on life, and repeatedly stumbles and falls, while a larger, heavier man appears to mock and provoke him. The two become caught in an endless chase, encountering bizarre situations that blur the boundaries of time and space. The recurring uncertainty over whether it is Tuesday or Thursday adds to the film’s disorienting atmosphere, while the persistent appearance of the portly antagonist provides a strange sense of inevitability. Its highly stylized imagery, contrasting characters, and symbolically significant locations create an unsettling world shaped by anxiety and absurdity. Beneath its comic surface, however, the film can also be interpreted as a political allegory. The calendar shown at the beginning points to the 23rd, Tuesday, a significant date in Hungarian history: October 23, 1956, marked the beginning of the Hungarian uprising. Thus, the seemingly playful confusion of Tuesday and Thursday carries a deeper historical and political meaning.
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